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Markets and media 1890–1900

Bergen’s fish market in photochrom color

Bergen’s harbor market joined fishing, local farming and town life in one busy place. By the late nineteenth century, the waterfront was also being sold to travelers as a colorful view of Norway. This print was made by the photochrom process: a photographic image became the basis for a color print produced with lithographic stones. The result could look remarkably like a color photograph before modern color photography became ordinary. The scene therefore belongs to two histories at once, the daily work of the market and the commercial trade in picturesque views.

[Fish market, Bergen, Norway] · Creator not identified in the item record · [between ca. 1890 and ca. 1900].View the full image ↗
[Fish market, Bergen, Norway]Creator not identified in the item record · [between ca. 1890 and ca. 1900].

About the picture

The market crowds the triangular waterfront space with people, goods and small boats. Its vivid color came through the photochrom printing process, using separate stones for different colors. These prints carried attractive views of European places to buyers who might never visit, turning a working market into a widely circulated travel image.

The history behind it

The documented reconstruction

This is a circa 1890–1900 photochrom view of Bergen’s fish-market pier. Three pieces work together: the harbor-market arrangement in the image, the catalog’s identification of Triangelen, and its technical description of a photomechanical color print. A later sales catalog helps identify the title without redating the original view to 1905. Nor does the vivid color establish modern color film, exact original hues, the occupation of every person or the day’s sales volume. A useful caption preserves both what can be identified and the uncertainty that remains.

Reading the source

The creation range and the later sales catalog answer different questions. One dates the artifact’s historical production, while the other helps explain its surviving title. The medium adds another layer: a color photomechanical print can communicate a convincing sense of place without making each hue a measured record of the original scene.

Questions for further research

The market is identifiable at the level of place and activity, but it is not a complete social census. Individual figures may be vendors, buyers, port workers or passersby. Their visible presence does not identify each occupation or provide a day’s sales total. Those more detailed questions would need linked market or municipal records. Photomechanical color and catalog dating must be evaluated separately.

If this caught your interest

A few things to read next

Books for a longer visit, and a few good places to start online. These are ordinary links, with no affiliate commission.

On the bookshelf

  1. Norway: A History from the Vikings to Our Own Times

    Rolf Danielsen and colleagues

    A broad national history with context for coastal trade, towns and economic change.

  2. The Grand Tour: The Golden Age of Travel

    Sabine Arqué and Marc Walter

    A richly illustrated history of travel imagery, including the world of photochrom prints.

  3. Eyewitnessing: The Uses of Images as Historical Evidence

    Peter Burke

    A useful companion for thinking about how printed views present the life of a city.

Read online

Where the pictures come from

The original records and their individual rights statements are below. The pictures have not been generated or altered for the game.

[Fish market, Bergen, Norway]

Library of Congress, Prints & Photographs Division · [between ca. 1890 and ca. 1900].

No known restrictions on publication.

Original archive record · Rights statement

An original editorial digest of the cited catalog facts; not a second historic eyewitness document.

Library of Congress, Prints & Photographs Division · Editorial digest reviewed 2026-11-01

Original Data Barnacle wording summarizing factual catalog data; underlying artifact rights are stated on the image.

Original archive record · Rights statement

History notes and reading lists prepared for Then & Found with AI assistance. The source institutions and authors are not sponsors or endorsers. Suggest a correction or another source

Other records to explore

Read their stories, or try the cases before opening their explanations.

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Everyday infrastructure · 1900–1930

A water carrier in Cairo

Before water arrived reliably through household pipes, carrying it was a form of essential urban work. Cairo’s water carriers belong to that long history of people moving a daily necessity through a crowded city. This early twentieth-century postcard presents one carrier with the vessels associated with his occupation. It was also an image made for circulation, giving distant viewers a compact, recognizable picture of an unfamiliar place. The subject invites a longer question about city life: who fetched water, who could pay to have it delivered, and how those arrangements changed as piped systems expanded.

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