← Back to the archive

Labor and reform 1911

Lewis Hine’s Pennsylvania breaker boys

In January 1911, Lewis Hine photographed young workers outside the Bliss coal breaker near Nanticoke, Pennsylvania. Breakers processed mined coal, and boys were employed to pick out unwanted material. Hine worked for the National Child Labor Committee, combining photographs with notes to make working children visible to a wider public. The group portrait gives the campaign faces and individual bodies rather than only statistics. It also leads beyond the photograph to questions about family income, compulsory schooling and the long political struggle over which kinds of work children should be permitted to do.

A few of the young breaker boys working in the Bliss breaker of the D.L. & W. near Nanticoke, Pa. Location: Nanticoke vicinity, Pennsylvania. · Hine, Lewis Wickes, 1874-1940, photographer · 1911 January.View the full image ↗
A few of the young breaker boys working in the Bliss breaker of the D.L. & W. near Nanticoke, Pa. Location: Nanticoke vicinity, Pennsylvania.Hine, Lewis Wickes, 1874-1940, photographer · 1911 January.

About the picture

Hine gathered these boys outside the breaker rather than photographing them at the sorting machinery. His caption connects the portrait to the Bliss operation near Nanticoke. Combining a picture with a place and occupation was central to the National Child Labor Committee’s effort to document and challenge children’s industrial employment.

The history behind it

The documented reconstruction

This is Hine’s January 1911 group photograph associated with the Bliss breaker near Nanticoke. The portrait and the National Child Labor Committee caption have different jobs: one shows the group and its presentation, while the other identifies employment and locality. They do not conflict, but they should not be collapsed into a claim that the camera shows a working shift inside the breaker. Nearby Pennsylvania coal records can be plausible distractors because Hine documented multiple workplaces. Individual ages, consent circumstances, work hours and later outcomes require additional records. Respecting those limits strengthens the historical identification rather than weakening the reality of the documented labor investigation.

Reading the source

The portrait and caption should be kept in conversation without assigning them the same evidentiary role. Visible pose, clothes and arrangement belong to the exposure. Workplace, occupation, locality and date come through the preserved investigative record. Keeping those layers distinct lets the caption add information without pretending it is literally visible inside the frame.

Questions for further research

The case also cautions against transferring details from a nearby or similarly titled archive item. Different coal-breaker locations can appear within one photographer’s wider investigation. Individual age, hours, wages, later life and circumstances of consent demand their own evidence. The packet gives no reason to fabricate those personal details for the photographed boys.

If this caught your interest

A few things to read next

Books for a longer visit, and a few good places to start online. These are ordinary links, with no affiliate commission.

On the bookshelf

  1. Child Labor: An American History

    Hugh D. Hindman

    The legal, economic and social history behind American child-labor reform.

  2. Picturing Class: Lewis W. Hine Photographs Child Labor in New England

    Robert Macieski

    A close study of Hine’s methods and photographs from another industrial region.

  3. On Photography

    Susan Sontag

    A critical companion for thinking about how photographs ask viewers to respond to other people’s lives.

Read online

Where the pictures come from

The original records and their individual rights statements are below. The pictures have not been generated or altered for the game.

A few of the young breaker boys working in the Bliss breaker of the D.L. & W. near Nanticoke, Pa. Location: Nanticoke vicinity, Pennsylvania.

Library of Congress, Prints & Photographs Division · 1911 January.

No known restrictions on publication. For information see: "National Child Labor Committee (Lewis Hine photographs)," https://hdl.loc.gov/loc.pnp/res.097.hine

Original archive record · Rights statement

An original editorial digest of the cited catalog facts; not a second historic eyewitness document.

Library of Congress, Prints & Photographs Division · Editorial digest reviewed 2026-11-01

Original Data Barnacle wording summarizing factual catalog data; underlying artifact rights are stated on the image.

Original archive record · Rights statement

History notes and reading lists prepared for Then & Found with AI assistance. The source institutions and authors are not sponsors or endorsers. Suggest a correction or another source

Other records to explore

Read their stories, or try the cases before opening their explanations.

Black-and-white waterfront photograph. Repeated stacks of tightly bound rectangular bales fill the foreground; people, carts, masts and vessels occupy the distance. No legible shipping manifest or complete list of destinations is visible.

Trade and labor · 1880–1897

Cotton on the New Orleans levee

Bales of cotton filled the New Orleans waterfront in the late nineteenth century, waiting in the space where river transport met ocean trade. Compressing cotton into bales made a bulky crop easier to store, count and ship. The levee worked as a place of exchange as well as a barrier against the Mississippi. The photograph belongs to the decades after slavery’s abolition, but the trade had grown within an economy built on enslaved labor. Following cotton beyond the waterfront connects this crowded scene with farms, warehouses, textile mills and distant buyers.

3 books to explore · 2 records

Vertical colored photomechanical print mounted on a pale sheet. A seated person works beside a large upright loom with hanging warp threads and a patterned blanket. Another small figure is nearby. No legible place name, personal name, age, price or exposure date appears within the depicted scene.

Craft and representation · 1901

Navajo weaving and the trade in printed views

Navajo weaving has a history of skilled work, changing materials and designs, and relationships with markets far beyond the loom. During the nineteenth century, textiles made for clothing and trade also found growing markets among outside buyers. This printed view, published in Detroit in 1901, brought a weaver’s image into another commercial circuit: inexpensive pictures sold to a distant public. The person at the loom remains unnamed in the record. Reading textile histories alongside the image helps restore attention to the knowledge and decisions involved in making the cloth.

3 books to explore · 2 records

Color print of a crowded market on a broad waterfront pier. Boats occupy the water behind it, buildings line the harbor, and people and goods cluster along the quay. The image contains applied-looking warm colors, but the visual appearance alone does not identify the printing process.

Markets and media · 1890–1900

Bergen’s fish market in photochrom color

Bergen’s harbor market joined fishing, local farming and town life in one busy place. By the late nineteenth century, the waterfront was also being sold to travelers as a colorful view of Norway. This print was made by the photochrom process: a photographic image became the basis for a color print produced with lithographic stones. The result could look remarkably like a color photograph before modern color photography became ordinary. The scene therefore belongs to two histories at once, the daily work of the market and the commercial trade in picturesque views.

3 books to explore · 2 records

Examine the evidence

100%

Unchanged full archival image. Drag to pan or pinch to zoom.

The research desk